1/22/2024 0 Comments Tidal per stream![]() The app on your device decodes the file, temporarily stores the unpacked bits of music in memory as they’re received, and then deletes these bits when they’re converted into the analog audio waves that you hear. How it’s encoded depends on if you are streaming or downloading.įor streaming, the song is encoded in a way so that it’s transmitted across the internet without using large amounts of bandwidth. Songs are compressed using an audio codec-like MP3 and AAC-to conserve space on your device and make them easy to transfer across the internet. The short answer is that downloaded songs are saved locally on your device while streamed songs are not.Ī longer explanation is that digital audio in its raw form is huge. This compression method leads to larger bitrates than standard streams.Īpple provides its own lossless codec-Apple Lossless Audio Codec(ALAC)-while other services use Free Lossless Audio Codec (FLAC). It keeps the “unnecessary” data typically discarded by lossy compression to keep the audio quality intact. It rewrites the digital audio file so that it’s more efficient structurally and smaller in size. Plus, the compressed song cannot be restored to its original form. The algorithm discards data it deems as unnecessary, lowering the overall quality. The problem with this method is that you can lose some data, lowering the song’s overall quality.įor instance, an MP3 file compressed for a 128Kbps bitrate isn’t exactly CD quality. Traditional “lossy” compression focuses on file size and how that size is transmitted over the internet. This form of audio compression preserves the quality of the original raw digital recording. In other words: if music fans stream more on a service in a given month, its per-stream payout will go down if music fans stream less in a given month, its per-stream rate will go up.Lossless means there is no loss of audio quality. users playing loads of music) when it comes to calculating their per-stream rate. ![]() users not playing much music) therefore have a natural advantage over those with high engagement (i.e. Instead, they pay out a percentage of their total revenue – which is then, crucially, divided up on the basis of an individual artist/label’s popularity across their platform. However, per-stream rates – as cited in TIDAL’s ad – should always be taken with a pinch of caution.Īs MBW explained in our analysis of recent claims from Apple Music, streaming services don’t actually calculate and pay royalties on a per-stream basis. TIDAL’s Average Revenue Per User (ARPU) number will also be dragged up by dint of its TIDAL Hi-Fi tier, which costs double the standard monthly subscription price ($19.99 vs. ![]() One reason for that is because TIDAL doesn’t have a free tier – meaning every non-triallist using its service is paying something for the privilege. TIDAL certainly does pay out, on average, more per stream than many of its rivals: data published by The Trichordist last year, for example, suggested that TIDAL was paying $0.00876 per stream, with Spotify way down on $0.00348. In addition to showing off about TIDAL’s hi-def audio capabilities, the ad – as seen on social media this week – makes the bold claim that TIDAL “pays artists 4X more per stream than the other guys”. The acquisition of TIDAL by Square comes as the streaming music platform rolls out an interesting online campaign designed to hook consumers into signing up for its 30-day trial offer. TIDAL’s new online ad claims it pays 4X more per stream “than the other guys” The platform posted an operating loss in 2019 of $55.3 million. Jay-Z initially acquired TIDAL via the vehicle Project Panther Bidco, whose latest financial filings for TIDAL reveal that the platform generated $166.9 million in the calendar year of 2019, up 26.4% YoY. However, it’s not far off half the size of the $600 million enterprise valuation TIDAL achieved when telco Sprint acquired a 33% stake in the music platform for $200 million in 2017. For Jay-Z, a $350 million sale represents a multiple of around seven times on the €50 million (approx $56 million) he paid to acquire TIDAL – then linked to Scandinavian service WimP – in 2015.
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